Showing posts with label The Agent. Show all posts
Showing posts with label The Agent. Show all posts

Monday, 13 July 2015

A slightly unexpected life lesson.

Quite a long time ago, with a lot of sweating and swearing and yelping, I hit the deadline for the manuscript of my current book. I whacked it off to the agent, after staying up all night, and then collapsed in a heap.

After all the rushing and striving and grand-standing, I had to wait quite a long time for a response. This sometimes happens, and I have learnt to deal with it. I am a pro, after all. At least the thing was done, and I could fill in the time by working on my other book, and, lately, on the new secret project, because I must always have a secret project.

There was, at last, good news. She loved it; she was very happy; she was fired with enthusiasm. She had plans.

Then there was a check. She thought perhaps it needed more work. A change in emphasis might be needed. A little structural tweak. She wanted to go away and think for a while.

I am a pro, I told myself.

Then, finally, finally, an email arrived. I read it so quickly that I did not fully understand it. I was clearly much, much more terrified than I had allowed myself to believe, and this seemed to blur my very vision.

What I thought it said was that she was losing faith. I thought that she was trying to shuffle me off, that really she did not like it any more, that she did not trust me to fix it.

I went into a wild defensive crouch. I kept trying to do the new draft, and could not. What price that famous professionalism now? I had many good excuses – complicated life mostly, but then everyone has a complicated life. In my experience, you only don’t do a thing when you don’t want to. The excuses are always bullshit, however good and shiny they might seem on the surface.

It took me two weeks to realise what was going on. What was going on was that I was FURIOUS. Not with the poor agent, who is a brilliant woman and who has stuck with me through vicissitudes which would have sunk a lesser human. I was furious with the whole shooting match. I was livid with the process.

Writing daily for the internet is a really good discipline. It has keen personal pleasures. I get to meet Dear Readers from around the world, and learn about other views and other lives. I can keep a record, which I like very much. There are precious jewels on this blog, which would have been lost to memory had I not written them down – there is the day Kauto Star won his fifth King George; there is Frankel in his pomp; there are my dear, adored old canine ladies, whom I still miss. The writing itself is important, as it keeps my fingers moving, locking the very act of writing into muscle memory.

But it is also horribly spoiling. I can write what I want, and it can go out into the world as free as a bird. There are no mediating market forces, cultural shifts, publishing shake-ups, economic turbulences to wreck it. It has a lovely purity and immediacy and ease to it. I write it; you read it. I am sometimes proud of it; you are sometimes bored by it. If it lags and sags, I must try harder. If I’m in the zone, it sings its song, and the Dear Readers smile.

I don’t have to do a tap dance, or a dog and pony show. I don’t have to edit and revise and rewrite and rewrite and rewrite. I don’t have to have any bloody meetings.

The perceived doubt of the email brought all those old rejections, imperatives, wilderness years into one ball of rage. Fuck them all, the childish voice in my head was yelling. I was not even sure who or what I was cursing. The fates, the demands of the job, life itself; the whole buggery mess and muddle.

I was so angry that I then refused to write at all, and listened to the Ashes instead. The voice of Blowers on Test Match Special was the only thing which made me feel as if my fragile world was not rocking on its axis. That, and the red mare, who rose to the occasion, and was more sweet and funny and responsive and adorable than I’ve ever known her. Each ride was more enchanting than the last, as if she knew that something was up, and understood that it was in her sole power to give me the gift of peace for two hours every day.

But then the Test Match was over and I had my deadline to meet and I had to stop being such a sulky fool and do the damn work. Otherwise I cannot keep the mare in hay. (I had tried, over the weekend, to win thousands of pounds on an accumulator so that I could retire on the spot, but it did not go well.)

Crossly, after too much coffee, I went back and read the email again, to see what it was the poor agent really wanted.

It said not one single thing I had inferred.

It was still filled with enthusiasm and belief. She just wanted a few small changes, and then it was all guns blazing.

I read it again.

What had I been thinking? She had written one thing; I, in blind fear, had read another.

I sat down and did all the major edits in one session.

I’ll still need to do some more pondering and have another polish and sharpen up some of the self-indulgent parts, but all is not lost, my career is not yet over, light is shining through the tunnel.

I often say that I am an idiot. Then I have to remind myself sternly that I am not quite an idiot, but an ordinary human who sometimes does extraordinarily idiotic things. There is an important difference. This is one of those idiotic things. Will I ever learn? Back to the drawing board I go, back to the schoolroom, back to learning yet another life lesson that I don’t seem to have imbibed.

Read your emails carefully does not sound like a lesson for the ages. But in this case, it really is.

 

Today’s photographs:

Just one today, because I’m exhausted with all these revelations of my own folly. But it’s a good one, because it’s how I feel. Born free. And also because it’s of the person who has stopped me collapsing from mild hysteria into the very depths of the abyss. She really does have that power.

13 July 1 4596x2327

Thursday, 19 March 2015

Into the woods. Or: be brave.

There is a moment in a book when I think I am editing and slashing and cutting, killing darlings with a ruthless hand, slaying those irrelevant, indulgent, extraneous paragraphs like Attila the Hun on a wild Saturday night.

In fact, I am fooling myself. I am living in a state of tense fear. I have written all these damn words, and thought all these damn thoughts, and I am holding onto them for grim death. I trim a passage here, and chop a conclusion there, but I am tinkering round the edges. I find that my perspective goes, and I can’t liberate myself. I’m so terrified of losing the good stuff that I dare not murder the bad stuff.

This morning, in the field with the red mare quietly grazing by my side, I shouted into my mobile telephone to my agent. We had one of those revelatory, galvanising conversations which change everything.

‘I AM GALVANISED,’ I hollered, into the light Scottish air. The mare took not the blindest bit of notice.

I did not go to HorseBack, but ran straight to my desk. I merrily threw out 1700 words, and wrote 2339 new ones to go in their place. I was no longer frightened. It had taken me nine months of trying to work out what this book was really about, and, finally, it was the objective eye of the clever agent that cut through the thickets and saw the light.

The thing that is making me laugh is that the heart of the book turns out to be the part about which I harboured profound doubts. It was a piece of folly and self-indulgence, I thought, too much even for me. I could not resist it, but I corralled it into little separate sections in each chapter, so that when the agent shrieked with derisive laughter, as she surely would, I could quietly remove those nutty bits and sit up straight and be a grown up.

Those parts may now be released from their box. It is the happiest irony that they are the glorious, chugging engine of the whole book.

The red mare, as you dear Dear Readers know to your cost, is not just an actual horse. She is a metaphor horse. She is my totem, my shining light, my daily life lesson. After taking a holiday whilst I was cheering on her cousins at Cheltenham, she has come back into work, and I got back on her for the first time today. Warwick Schiller, the lovely Australian horseman whose precepts I follow, has a delightful exercise which he does with his horses every day. It is called: ‘Where do you want to go?’

The idea is that you get on and you let the horse wander where it will. The only rule is that they must keep a steady gait, but you do not steer them. This achieves many wonders, too many to go into now, but perhaps the most important is that it teaches them not to get stuck. If Red heads for the gate or the feed shed or the place where her little Paint friend is grazing, I make her work by disengaging her hindquarters and moving her in tight circles. When she goes off kindly, I leave her alone. Sometimes I wave my arms in the air, just for fun, and think about how good this is for my independent seat. I always love seeing where she wants to go next, and sometimes have to lie on her neck as she weaves her way under low-hanging branches and through the trees.

On this day of all days, after I finished the liberating, galvanising conversation with the agent, I got on the mare and asked her where she wanted to go. She set off to her usual haunts, near to home, and we described a familiar circuit.

Then, something amazing happened. She pricked her ears and struck off into new territory. She was going where the wild things are. She headed with purpose, without any doubt or terror, to the scary woods. The woods to the west are indeed dark and deep, with rough ground and alarming shadows. The pheasants which used to send her into shocked, vertical leaps live there, along with cohorts of invisible woodland critters, hiding in their umbrous lairs.

In she went, had a wander about, took everything in, and then found her way out again into the light. On the border of the scary wood is a ragged area where the building yard beyond the southern treeline stores all its old stone. Huge blocks of ancient Scottish granite lie there in heaps, along with old carved pediments and fanciful curlicued columns. Some of it has been there for so long that the moss and grass has started to grow over the sleeping humps, as if the very earth is reclaiming it for its own. This was not only far out of her comfort zone, it was treacherous ground, difficult to navigate. She was Magellan now, setting out without a map, going to the edges of the known world, into the realm marked Here Be Dragons. I stifled my delighted laughter, and went with her, wherever she wanted to go.

She beat the bounds, picked her way, sure-footed as a mountain goat, over the hummocks and crevices and sharp edges of the monumental stones, tracked her way past the young trees, and emerged, triumphant, all terrain conquered, back into the familiar flatlands of her own field.

I’ve been guilty of thinking she was not a very brave horse. I made a category error. It was not courage she lacked, it was good, sturdy, human boundaries. Once she had those, it turned out she could go anywhere.

There is a profound idea that when you work a horse well, you find out who it really is. If the human is not up to scratch, the horse may hide its true nature under a defensive layer of compensations and survival mechanisms.

Now she has confidence in me, the red mare may be brave. As my agent has confidence in the book, so I may be brave. It was a perfect piece of symmetry.

I cast away the old words, and wrote the new, and I had a humming sense of pleasure in the work. But nothing, nothing, could match the delight of that moment when my courageous mare cast off her shackles and headed out into the unknown.

 

Today’s pictures:

There was too much going on to take photographs on top of everything else. Here are a couple from the last few days. I’m afraid I am taking the opportunity to show you yet another lying down picture. Any excuse.

19 March 1 3439x2622

She’s actually staring at the scary woods in this picture, because some invisible creature is moving about down there and making a racket:

19 March 2 3999x2579

Stan the Man is always brave as a lion when he has that magical stick in his mouth:

19 March 3 3537x1669

Monday, 25 February 2013

Good news. But a slight failure in processing.

I got GOOD NEWS today.

I’ve been working on a secret project, something quite new and faintly unexpected. It was all because of my friend The Playwright, who rang up one morning and said: ‘I know what you should do.’

As all members of my family know, I do not take kindly to being told what to do. I’m not normally touchy, but, for some mysterious reason, in this area I’m like an Oscar diva being told that her manicure is all wrong. I can bridle and kick out at even the mildest suggestion. Even though I know most of them are meant kindly, and gently, the cussed bronco in me sees them as insidious judgement. What I want to scream, but mostly don’t is: are you telling me I don’t know how to run my own life? Or: do you think I am a snivelling IDIOT????

So it is some reflection of the love and awe with which I view The Playwright that he is pretty much the only person who can say this kind of thing to me and live.

Anyway, I followed his suggestion. The secret project was born. It went through a few twists and turns, stops and starts, jerks and swerves. It got reviewed and reincarnated, and then, hesitantly, I mentioned it to The Agent.

She asked for a lot of material. I wrote it, madly, rushing up to a hard deadline. Then: silence de glace. She was busy, she was in New York, she was being an International Woman of Mystery.

After a while, I convinced myself that it was so bad she genuinely did not know what to say. She had run out of pages in the thesaurus. I suspected that she was hoping if she went very quiet I might just forget about the whole thing and move to Canada.

Finally, this morning, the email arrived. Luckily, I was too busy to avoid reading it. If I have too much time to think with these things, I will procrastinate like gangbusters.

She likes it. She really, really likes it. She said kind things. There is a lot of work to do and a long road to travel, but the glimmer of gold stars was there.

The funny thing is that this has not sunk in yet. I am delighted, of course. But the week is so packed and fraught, my logistics are so demanding just now, that the brain appears unable to process Good News. Yes, yes, it says, immediately firing back an email about how the work can be done and the required changes can be made; yes, of course, it says, already mapping out the twisting way forward.

There is a little tinny trumpet in the background, echoing plaintively, offering a little tattoo of triumph. But I could not hear it very well.

It is good. I am happy. I’ll process it later, when my shoulders are not up around my ears. I’m going down to Red now, to tell her. She doesn’t really give a bugger about agents, but she is very excellent about pretending she cares.

This morning, when we were doing schooling circles, she suddenly stuck her tail straight up in the air and began doing a prancing, snorting canter. We were really only doing quiet work, but some devilry caught her. She was not being naughty or evasive; she was doing exactly what I asked of her. But the wild grigs were in her, the voices of her ancient past calling, her fine blood was up, and I looked at her and felt overwhelmed with delight.

So, it’s not as if I’m not feeling anything. I suppose the feelings she generates are incredibly simple ones. Mostly love, but also amusement, awe, admiration, and some visceral connection to the animal world. She does something wonderful, I am happy. She does something absurd, I kill myself with laughter. Yesterday, with her delicate mouth, she picked up the little hopper that we use for clearing the dung, and handed it over to the Horse Talker, as if to say: this field needs a bit of work. It cracked me up.

So it’s not as if my emotions are shut down. This is the kind of news that normally would have me doing cartwheels, yet I am not, quite. I feel a little battered and disbelieving. I suppose work is always complicated. Perhaps I had tensed myself for failure for so long that it will take a moment or two to realise that there is now the glimmer of success.

 

Today’s pictures:

It was a beautiful day today. But I have not had time to go through the pictures. So this is a small archive selection:

25 Feb 1

25 Feb 2

25 Feb 3

25 Feb 4

25 Feb 6

25 Feb 7

25 Feb 8

25 Feb 8-001

Sleeping in the snow:

25 Feb 10

And just sleeping:

25 Feb 11

And doing her Minnie the Moocher:

25 Feb 12

M the P:

25 Feb 13

25 Feb 14

Autumn the Filly:

25 Feb 16

THE EARS:

25 Feb 21

24 Feb 20

This is actually today’s hill, in the astonishing Scottish light:25 Feb 33

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