Showing posts with label drama. Show all posts
Showing posts with label drama. Show all posts

Wednesday, 26 June 2013

In which a mysterious event occurs.

Here is the ridiculous story I was promising you.

It took place two nights ago.

At 9.31pm, on a quiet Monday, I hear the four words I dread the most. ‘The horse are out.’

The Horse Talker and I like to lean over the gate and watch our little herd with adoring eyes, and discuss at vast length how calm, how tractable, how happy, how unshockable they are. This is faintly self-indulgent, since it is partly due to the work we have done with them. We had fabulous raw material to work with, but the daily groundwork, desensitising, attention to detail has paid off, and we are not above the occasional naughty clap on the back. We are only human after all.

Then suddenly, out of the blue, they go nuts in the night and completely trash a strong wooden post and rail fence.

The neighbour who lives next to the field hears an almighty crash, and looks out to find the two bigger mares racing at full speed past his window. What is so funny, in retrospect, is that having got out into the wide yonder of the rolling set-aside, they choose to rush back to the top gate and try to get back into the paddock, as if in apology for their errant behaviour.

I tear down and round them up and get them back in. The Horse Talker arrives, and we survey the devastation. One whole bottom rail has come completely off, two discrete top rails have been trashed and smashed and are at crazy, splintered right angles. But the really, really weird thing is that they are facing inwards, as if the force which broke them came from the outside.

The Horse Talker and I turn at once into a pair of equine Miss Marples. We examine the hoof prints, the skid marks on the grass, the trajectories. I actually attempt to reconstruct the incident, but we cannot see how it was done, with the angles of the breaks the way they are, and also the position of the scratches on Red’s body. Autumn the Filly, true to her amazing, laid-back, get away with anything nature, has come away almost entirely unscathed, except for one tiny scrape on her off fore, which has barely even broken the skin.

None of it makes any sense. Miss Marple herself would be baffled and have to eat her cloche hat. Quite apart from the puzzling nature of the broken fence, which appears to defy the laws of physics, horses would have to get into a terrible state to crash through a sturdy post and rails.

Tractors, trailers rattling with blocks of granite, and a variety of thundering diggers come in and out of that field all the time. There is a random person who lets off loud gunshots in the woods. Strange groups of ramblers appear, rustling their Ordnance Survey Maps. The herd does not bat an eye.

When the shelter was being built, the shattering noise of the nail gun did not even cause them to lift their heads from their hay. Close by, the old Coo Cathedral, a palace built for cows in the 19th century and now used for weddings, sees firework displays on the occasional Saturday night which sound as if civil war has broken out. When this last happened, two weeks ago, I tore down to the field in the pitch dark, expecting to find the girls going nuts. Instead, Red had gathered her little band in the farthest corner, under the soothing shelter of the wooded hill, and was standing between her two charges and the devastating noise. She was alert and scanning the horizon for possible threats, but there was no sense of terror. She was just on watch, that was all.

Who knows what will frighten a flight animal? Red will walk calmly up to a huge, clattering scarlet digger and stick her nose in the cab to say hello to the Young Gentleman, whom she loves, but the other day decided she was really quite shocked by a pair of blackbirds.

Even so, one of the things that I have taught her is not to go into a rising escalation of fear. That’s what the desensitising is for. Slightly paradoxically, it is to teach horses that fear is all right; it is just a thing, it will not kill them. So you crinkle a plastic bag, for instance, and they start and tremble and shoot their heads in the air, and then you indicate by your own body language that the thing is not, in fact a mountain lion, and after a moment, they believe you. There’s also a dance of bringing the terrifying object in, and then removing it; more of the pressure release principle. At the end, we always say to our girls: ‘See? It did not eat you.’ They learn to feel a moment of alarm, but this does not then soar into a rising arc of panic. They come back to us. It does not mean they will never spook, but it means that a three act drama is then much less likely.

And yet, something, something, happened in that field, which must have terrified them out of their wits, a mystery which we may never unravel.

For two nights, it disturbs me so much I cannot sleep. I hate it when anything happens to upset the herd, and I hate to see my beloved Red with Wound Cream all over her beautiful body. Wound Cream, which really is its name, is the most miraculous thing I’ve ever found. It’s by Royal Appointment, and quite right too; I imagine the Queen loves it. You put it on that nastiest cuts and scratches, and the next day, they are healed. Red has one determined cut which is still on the mend, but almost all of her scars are already fading.

I suddenly realise this morning that because I am unsettled by her being unsettled, and because I cannot work out what the hell went on, and because I have not slept for two nights, she is picking up on all that – what the Beloved Cousin calls, descriptively, being jangly. The Horse Talker and I look anxiously at our girls and say to them: ‘Oh, if only you could speak.’ We long for them to tell us the story.

But now, I see this is not the point. I’ve being babying and gentling Red for two days, but this in fact is not what she needs. So I do some proper work with her. Out in the wide three acre field, I work with her at liberty, and she hooks on at once, and drops her head, and follows my feet exactly – a move to the right, a circle to the left, four paces backwards, stop, start, quick slow. There it is, the harmony again. Everything in her big red body relaxes; she has her Good Leader back. That’s all she wanted.

She loves love, and will present herself for it. She will make a sweet face and offer her head for scratching. She will stand for long minutes by my side, leaning on my shoulder as I rub her dear cheek. But this is secondary, for her. Horses experience love in a very different way than humans, and their version of what we call love is mostly based on feeling safe.

She doesn’t want me jangly and fretful. She wants me leading her round a field, confident and certain. Then she can relax. I’d forgotten this for a bit, and this morning I remembered, and my lovely girl let go her nightmares and followed me willingly and with gratitude.

The Bizarre Event starts to fade. I hate mystery. I love explanations. But we have to chalk this one down in the category of May Never Be Solved.

Still, we were lucky. The kind neighbour mended the fence; the other kind neighbour is on full night patrol in his monster truck, just in case any random human agency was involved. Our little herd is protected by the kindness of the compound, their scratched bodies are mending, and they revert to their usual, happy, dozy state.

I have to put away the ghastly imaginings of what might have been, of the potentially catastrophic injuries they might have suffered, and feel grateful that the ending was really a happy one. The best horseman I know, my cousin’s Old Fella, lost a horse not long ago when it crashed through the gate from its field for no known reason, and broke its shoulder. The fates were kind to us; we got off miraculously lightly. I must remember that, and not dwell on the horrors which might have been.

 

Today’s pictures:

26 June 1 26-06-2013 11-26-19

26 June 2 24-06-2013 10-54-07

26 June 3 24-06-2013 10-54-46

26 June 5 21-06-2013 11-25-10

26 June 6 21-06-2013 11-27-15

26 June 7 21-06-2013 11-30-36

This is an absurd picture of some clouds I took by mistake. But I rather love it. It’s a bit like a painting of the sky:

26 June 9 24-06-2013 10-54-17

The herd, grazing calmly, as if Great Escapes never crossed their dear minds:

26 June 10 25-06-2013 14-44-12

My poor girl, getting back to normal:

26 June 10 26-06-2013 09-36-43

Although she would like to show me all her battle scars, masked by the wonder Wound Cream:

26 June 14 26-06-2013 09-37-53

M the P, unfazed by the entire event:

26 June 12 26-06-2013 09-37-07

And Mr Stanley the Dog is most concerned with catching bluebottles:

26 June 10 25-06-2013 14-48-42

The hill, which stays unchanged through it all:

26 June 20 26-06-2013 11-26-14

Wednesday, 19 June 2013

The Royal Meeting, Day Two. In which I look back on a quite extraordinary opening day.

What a day.

I didn’t think, after the imperial procession that was Frankel’s Queen Anne, an opening day at Ascot could ever match it again. And yet, somehow, the Royal Meeting awoke, stretched itself, and put its dander up. There was more drama and delight than you could shake an ebony walking stick at.

First there was the sombre business of the day, done with elegance and grace. There was a minute of silence in memory of Sir Henry Cecil. Ladies in extravagant hats bowed their heads and clasped their hands, almost as if in prayer, and gentlemen stood ramrod straight, their top hats by their sides.

On the television, Clare Balding said a very clever thing and true thing. She said: ‘I always think the best way to remember someone who has died is to keep talking about them.’ I remember that exact thing after my father died. All I wanted to do was speak of him and his glory days. It’s a way of keeping the lost ones alive in all our hearts.

And there is so much to say of Sir Henry Cecil, especially in this week, the space of some of his greatest triumphs and most extraordinary records. He had seventy-five winners at the Royal Meeting, a number that may never be matched. It is so far ahead of the herd, stretching into the realms of myth.

Then it was time for the American star to come and dazzle us. Anticipation was intense. But, in the way of thoroughbreds, with all their mystery, Animal Kingdom did not run his race. There was no obvious excuse. He did not settle and raced too freely and then fizzled out, falling tamely back through the field, his fine brilliance extinguished.

It’s always sad to see a champion not give his running, but up at the front an Irish horse finally fulfilled his promise. Declaration of War is one of the apples of Ballydoyle’s eye, but he was sadly disappointing last time out, and there was suspicion he was a bit of hype, not quite as good as they all thought. I had an each-way saver on him, because those Ballydoyle boys know what they are talking about, and I could not believe they would send him to Ascot for nothing. He did run his race, and won beautifully, starting to look as if he will make up into the good horse they all thought he was.

But then the real drama unfolded. Amazingly, against the odds, Dawn Approach was back. He had imploded so fatally, so publicly, so humiliatingly, in the Derby, that the connections could hardly speak, except to say that he would be put away and there were no plans. Suddenly, without warning, Jim Bolger announced that his mighty colt would be back for Ascot.

This was not what anyone expected. The Derby is not even three weeks ago. For a horse to boil over like that could leave not only physical but mental scars. Up until that terrible moment, Dawn Approach had had everything his own way. He had dominated good fields, always had luck in running, never encountered anything to shake his famous sang-froid. His record was unblemished. He was the boss horse indeed, alpha to his hoof tips. Would he come back so quickly with his appetite for the game undimmed? Could his star shine again?

To complicate matters, the lovely, strong colt Toronado, the equal apple of the Hannon eye, who had had his own disaster in the Guineas, was also returning to the track, on another retrieval mission. And then there was Magician, so dominant in the Irish Guineas, but who had suffered a freak accident in his last week of preparation. He was having a nice relaxing time in the equine spa when a swallow flew straight into his forehead, and the horse leapt out and bashed his legs. He had missed a piece of work, so his carefully calibrated training schedule was interrupted.

The question marks hovered over all these lovely equine heads. I adore them all and could not choose between them. I went back and forth, like a confused metronome. But there, suddenly, was Dawn Approach, coming into the pre-parade ring, looking exactly like his old self: athletic, shining, utterly relaxed. That’s the fellow I know, I thought. On pure instinct, I put the house on him. I suddenly realised that I wanted him to redeem himself more than I could say.

I had a bit each-way on Toronado, for loyalty and love, and paced about with screaming nerves as the horses went into the stalls.

And they were off. Dawn Approach once again fought for his head. Poor Kevin Manning, who had had such a nightmare in the Derby, was fighting to settle his horse all over again. Manning is a quiet, interior jockey. He does not showboat. He is a man of very few words, and has said little about the whole debacle. He puts all his energy and talent into riding, not talking. I could not bear it if the same ghastly battle was going to be waged all over again.

But then, miraculously, as if Dawn Approach was remembering his true self, he dropped his head and settled into his big, rolling stride, balanced his strong body, and began to race. Now the story would be told. Would the Derby exertions and his early exuberance take its toll? Could he see it out?

He powered down the outside. Toronado, who had sat quietly out the back, came to join him. The duel which had not materialised in the Guineas looked as if it would finally be joined.

And then a horse on the inside jinked left, creating a disastrous domino effect. The horse outside him was hit, who crashed into Dawn Approach, who bumped into Toronado. Both the principles veered and lost their stride. This kind of thing can be enough to finish a challenge. It’s not just the loss of vital rhythm; that sort of barge at forty miles an hour can shock a horse into submission. But these two were made of doughty stuff. Kevin Manning and Richard Hughes got their fellows rolling again, and the two brave colts stuck their heads down and charged into the final furlong ahead of the rest, matching strides.

On the television, Simon Holt was shouting. In the room, I was shouting. My mother, a quiet polite person, suddenly yelled, at the top of her voice: COME ON KEVIN. Stanley the Dog went nuts.

The real Toronado, the stellar colt that the Hannons loved and believed in, was finally revealing himself. For a moment, he drew ahead. But Dawn Approach is not just brilliant, he is brave. He stuck out his neck, put his ears flat back, got a bullish, bugger off look in his eye, lengthened once more, and flashed past the line a nostril ahead.

The beautiful bold chestnut was redeemed. The risk paid off. Jim Bolger, one of the cleverest and canniest men ever to train a horse, was right. The crowd went wild. The drama rating ricocheted off the scale.

And that, my darlings, was, in the words of the song, a thrilling, absolutely chilling Ascot opening day.

I’m not sure we’ll see anything to match it.

Today, the ladies move into the spotlight. There is the Duke of Cambridge, for the older, polished fillies, and then the Queen Mary for the babies, raw two-year-olds who are still revealing their potential. There are so many I love that I can’t split them, and this will not be a betting day for me, but a watching for sheer love day.

If Chigun could win for Lady Cecil then I would expire from happiness, but she has the talented Duntle and Dank to vanquish.

I love little Oriel in the Queen Mary. She had no luck in running last time out and I’d adore to see her have her revenges.

And then there is the fascinating rematch between the progressive Al Kazeem and the old conqueror Camelot. Camelot, the Derby winner of last year, suffered a severe bout of colic over the winter and had to have an operation to save him. No one knows how much this takes out of a horse. He was thoroughly beaten by Al Kazeem last time out, and there is no scientific reason to see him reversing that form.

But again, Ballydoyle must be keeping the faith, to bring him back here, onto the highest stage of all. And there is almost nothing I love more than seeing a once-dominant horse reduced to underdog, with all the doubters and knockers out in force (last year’s three year olds were an average bunch; the Derby form does not add up to a hill of beans; etc, etc) and then, once again, having his day in the sun. So I’d love to see Camelot come back to his rampant best, and I’ll have a tiny loyalty bet from the heart.

Who knows? Day Two may give us drama again. It is Ascot. The Queen is there, with her match greys; there are crowds in improbable hats; there are Welsh Guards with trumpets. The best horses in the world are gathered. Anything could happen.

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