A little bit viral. Or, the kindness of strangers.

Yesterday, at 10.47pm, I went viral.

It was absolutely terrifying.

I only went a little bit viral. I was not trending on the internet. But Stephen Fry retweeted the piece I wrote about Robin Williams, and for about ten minutes it felt like all hell was breaking loose.

A smashing packet of emotions broke over me. First of all, I was wildly excited that Stephen Fry, a man I admire keenly, whose books I have read, whose comedy has made me laugh since I was a raw teen, even knew who I was, let alone liked something I had written. I had been awarded that finest prize, the Fry challenge cup, and in my mazy mind I did a cantering lap of honour, all flags flying.

Then, complete strangers started saying kind things. My heart swelled and warmed. I was Sally Field. They like me. They really like me.

The strangers soothed me, because I had been fretting about the whole shooting match. I worry always when I address any serious subject, and I twist myself up into a pretzel about the rights and wrongs of writing about the death of a stranger. The fear is that it is an intrusive, even rude, thing to do. The danger is that one is doing the empathy tap dance. Look at me, caring. It should go without saying that everyone who admired Williams and who laughed like a drain at his comedic brilliance would feel sad. I had not let it go without saying. I had said, as if somehow I was important.

Then, just as I was smiling in astonishment, the terror hit.

I inhabit a very small, very private part of the internet. I have a tiny, gentle group of Dear Readers, who know all about my equine obsession, the ludicrous voices in my head, the enchanting Lurcher antics of Stanley the Dog, my ardent love of these blue hills. They put up with me with gentle grace, and seem to understand and forgive my shortcomings.

Now, someone had thrown open a door onto a huge new world, with a crowd of unknown people in it. They would expect something. I could not just tell them about the dancing canter I had this morning on the red mare, as the swallows practised their low flying in the hayfields, so that I whooped with joy into the bright air. They would want their money back. Mare, schmare, they would say; give us the good stuff.

The fact that this whole odd phenomenon happened on Twitter was even more worrying. I suddenly had a boatload of new followers, on the strength of that post on death and depression and the frailty of the human heart. But I use Twitter almost exclusively to indulge my passion for racing, with the odd grumble about people not answering the question on the Today programme. I had sold these new arrivals a pup. They would go back through my timeline and be baffled to find endless musings on the 3.30 at Kempton, intemperate shouts of joy about the beauty and power and grace of Kingman, and wild expressions of love for the genius that is Ryan Moore. Ryan what? they would say, scratching their heads.

The last tweet I posted before the Twitter storm hit was this: ‘Quite adorable. Royal Connoisseur, 2nd and 3rd in virtually all his races, pricks his ears in amazed delight as he sees the winning post.’

Royal Connoisseur is not a famous horse, for all his rather grand name. He is a bay gelding who has never won a race. He was running in a maiden at Thirsk, on an unremarkable cloudy evening, with £3000 going to the winner. I was particularly taken with him, because when he saw the winning post coming towards him, a wide sward of green turf before his eyes instead of the equine hindquarters he was used to looking at, he really did lift his head and prick his ears in triumph. A look of delighted amazement spread over his handsome face.

Horses are like humans in one way: confidence can make all the difference to them. They can grow demoralised if they are always the bridesmaid. Once they’ve got their head in front, their old herd instincts call to them, and they grow in stature. It’s a touching thing to watch. But it’s not exactly life and death and the whole damn thing. Those poor new followers, I thought. What will they think?

I had, for those ten minutes, a fleeting flash of what it must be like to be famous. I’ve always thought fame was something I would not wish on my worst enemy. Years ago, John Updike wrote that it was a mask that eats the face, and that hard line has haunted me ever since. You are no longer your own person, but belong to the world. People suddenly have a sense of entitlement, and an odd intimacy, as if they know you. The famous are quite often put into a box, and if they dare to jump out of that box they are ruthlessly punished. They are judged, and found wanting. Even if they are adored, the adoration comes with caveats: the expectations must be met. They are tall poppies, and every armchair critic is sharpening the scythe.

Luckily, the internet moves at warp speed. It soon settled down and went to shine its light on someone else. I could return to quiet normality.

I was also very lucky because the sudden rush of people responding to the post did so with lovely humanity and generosity of spirit. I met only kindness, in that frightening new space. It was as if they were all saying: it is all right, we come in peace.

The caravan will move on. It is already trundling off into the middle distance. I shall go back to tweeting about the 2.15 at Hamilton, and writing of the dearness of my red duchess, and offering goofy little slivers of my very ordinary life.

The fear subsides. It was, looking back, rather a lovely moment. I wrote something heartfelt, and unknown humans responded from their own good hearts. Out in the brave new world, I found all the same kindness of strangers that I encounter in the old world. Fortune smiled. I smile back.

 

Today’s pictures:

Stan the Man and Red the Mare, with tractor:

Goofy face:

Noble face:

Serene face:

She really was light as thought today, all willingness and generosity. I hardly had to ask. She just gave and gave.

Then, after the ride, I went up to do my HorseBack UK work. I watched veterans who are missing limbs learn to ride. This is always a useful corrective, not just because of the Perspective Police, but because they find me, in the nicest possible way, slightly absurd, and mob me up with glee:

Then, as if the universe was making sure that I did not get above myself, after my glancing moment in the sun, Patrick the Miniature Horse asked if I would scratch his quarters. This, it turns out, is his dearest wish. It would have been rude to say no. So there I was, on my knees, with a tiny arse in my face, which seemed about right. ‘I know my place,’ I shouted, as the shutter clicked:

The flappy wings of hubris have no chance, faced with that.

And one final word - of thanks, to all of you who came to this quiet space yesterday, and generously wrote your own words, and made me smile and smile with your kindness and grace.

Never send to know.

It’s quite an odd thing, to cry for a stranger. One may feel sadness and melancholy and regret for so many deaths: the ones in the newspapers which run into horrifying statistics, almost beyond the ability of the brain to process, like the Yazidis or the Syrians or the Gazans, or those closer to home, the teenage car crashes or fire fatalities reported in the local press. John Donne’s lines live always with me:

Any man's death diminishes me,
Because I am involved in mankind,
And therefore never send to know for whom the bell tolls;
It tolls for thee. 

But still, to find oneself weeping blindly in an ordinary kitchen, making an ordinary cup of coffee, on an ordinary, rainy Scottish morning, because of the death of a famous person, as if that person were a best beloved – that is quite strange.

And yet, perhaps it is entirely explicable. Many other people seem to have had the same reaction to the shocking loss of Robin Williams. I sat with a friend in the field in the rain, as the red mare listened, and tried to work it all out. It was not just the straight sadness of a bright spirit snuffed out too soon. It was not only the thought of the family and friends left bereft. It was, we thought, the terrible poignancy of a man who gave so much joy, who lifted up so many hearts, being unable to stop himself from sinking.

We came back to the same line: if Robin Williams could not make it, who could?

Perhaps too there was the contemplation of the power of those demons, which robbed him of hope. If they could overcome such a dazzling, inventive mind, such a good heart, such a glittering talent, they must have been almost supernatural in their agency. The thought of the long fight he must have waged with them was one of unimaginable terror.

Depression is a bastard, and it is a thief. It is random and it does not discriminate. It takes the brilliant and the beautiful, the kind and the good, the funny and the clever. It does not give a shit how much you are adored or how much joy you give or how many prizes you win. It is no respecter of money or class or fame.

As the affection and grief roll round the internet, my friend and I say, as one: if only he knew how much he was loved. There is the silent, melancholy rider: it would have made no difference. Depression does not count blessings. Blessings, ironically, may make the sufferer feel even worse. How dare I be afflicted when I have all this?

Out in the open prairies of the web, where so often the craziness of crowds lives, comes the wisdom of crowds. People are shining lights into those dark corners where debilitation and shame live. It’s a condition, they are saying, as real and painful as a broken leg. You can’t fix a shattered limb by the power of thought or will; you can’t say to someone with a smashed femur, cheer up, butch up, man up. Don’t be afraid to ask, people are saying; stretch out your hand for help. There is help, there are people who love you, you are not alone.

Ordinary people, touched by this extraordinary man, are remembering Captain, my Captain, and wanting to stand on their desks and be remarkable.

I met Robin Williams once. I was a waitress in a tiny café  in a valley in Scotland, and I went over to a table and asked the new arrivals what they would like, and stared straight into that familiar, smiling, open face. I have an odd benchmark of character: I judge people very much on how they treat waiters. Williams was enchanting. He was gracious and polite and regular; he had no sense at all of the Big I Am. He was gentle and quiet, with no trace of that wild, manic, public persona. The other lovely thing, in that small highland village, was that everyone left him alone. Nobody pointed or stared or asked for his autograph. They gave him the courtesy of allowing him to be an ordinary man, just for one day.

I have a fantasy in my mind that he ordered the special lentil soup that I had made that morning. It was a long time ago. I think he probably did not have the soup. I think he just had a cup of coffee. I prided myself on my barista skills, newly learnt, and I made the hell out of that cup of coffee. I don’t expect you can really judge someone on one brief transactional meeting, but I was left with the impression of a very, very nice man. A gentle goodness shone out of him like starlight. Perhaps that is why so many people, from the humblest waitress to the most storied Hollywood star, are so sad.

He did not belong to us. I think of the heartbreaking moment in Out of Africa, where Meryl Streep looks down bleakly on a mound of dry earth and says: ‘Now take back the soul of Denys Finch-Hatton, whom you have shared with us. He brought us joy, and we loved him well. He was not ours, he was not mine.’

And yet, so many of my generation feel as if Robin Williams was stitched into the fabric of our lives, from Mork and Mindy in our youth, through Good Morning Vietnam and Dead Poets’ Society in our formative years, to the later, darker films of our middle age. He was so reliably present that perhaps many of us thought he would always be there.

There is something tragically democratic in his loss. Perhaps that too is what speaks to every bruised heart. He might have seemed to live up on that higher plane, where coruscating invention and wild talent and universal fame exist, in the troposphere where ordinary mortals may not go. Yet this kind, funny, haunted man was no more immune from the slings and arrows of outrageous fortune than the most workaday amongst us.

I very rarely use the universal we. I don’t like to speak for anyone else. But I’m not sure I have seen such an agreement on anything, in the rushing new age of the internet. There are no dissenting voices, no snide remarks, no cheap jokes. There is a collective sense of love and sadness, in their most authentic, unifying form.

In the end, there is not much point in trying to understand or dissect the extraordinary reaction to the death of one brilliant man. In the end, it is what it is. It is a shining light gone out, a brave soul lost, a fighting heart broken.

He gave us joy, and we loved him well.

Go free, now.
 


As I choose this picture, I think:

Tell someone you love how much you love them; take solace in the small things; be kind, because everyone you meet is fighting a hard battle; lift your eyes up to the hills. Those are my resolutions for today.