A price worth paying.

You don’t have to tell them everything, say the wise voices in my head.

Yes, you do, say the reckless voices.

The reckless voices have a thing for candour. They like getting everything out in the open. Say the thing, they shout, giddy with delight. They have a theory, which might not be that wide of the mark, that if all the human stuff is out there, then it has no power to wound or frighten. Shame and doubt hate sunlight. Tell your story, bawl the reckless voices, and then you need never be afraid. Let people judge, as they will.

Sometimes I wish I did not listen quite so much to the reckless voices. On about six different occasions in the last few months I have yelped and squealed about book deadlines. I have sat up all night to finish a manuscript, and, transparent with relief and triumph, spread the news on the Facebook, on the Twitter, on the blog. There is a terrible side of me which must do a tap dance. Look at me, Ma, with my jazz hands.

Then the reality bites, and the agent has questions, and kind suggestions, and frets. So even thought I’ve hit the deadline I have to go back to the drawing board all over again and do the sober, stolid work, which does not make a good story for the social media. It’s just grind.

I loathe editing. All the joy and freshness has gone from the book, and the criticism and nit-picking must start. Darlings must be killed. The bloody pile of corpses sit dolefully in their special file, all those happy phrases and dancing paragraphs, all those words which were once written with such delight and now will not do. They do not fit, or they are self-indulgent, or they are just not quite good enough for the pitiless spotlight of the world.

Today, I finished yet another draft. I met, almost, another deadline. (This one is a bit late, which is unlike me, but my girly swot self, the one that always has an apple for the teacher, has apparently run off to join the circus.) I did not howl and yelp on Facebook. I did not stay up all night. I just sighed a long sigh, and wrote a serious appraisal to the agent, and sent the damn thing off.

I thought, as I trudged down to give the mare her tea, what an odd job writing is. It is entirely dependent on the approval of others. The agent must like it, and then a publisher; then an editor, then the marketing people, then the booksellers, then the putters-on of festivals, then the reading public, then the critics, then the beady compilers of the Amazon lists, then goodness knows who. There is no fixed mark; no objective standard. Every word I write is a shot in the dark.

I get to do what I love, and I get to set my own hours, and I have the luxury of being able to ride a horse and say that I am working at the same time, because of course I can do a sitting trot and think deep literary thoughts at the same time. I can’t complain. But tonight I felt a little weary in my soul, as if my sense of self was being worn, a little, by all the judgement on which I depend.

Richard Hughes, an exceptional jockey and an interesting man, who retired from race riding last week, was asked by Clare Balding how he dealt with the not eating. He has not really eaten for twenty years. He weighed himself fifteen times a day. Every morning, his eyes strayed to his watch, to see how loose it was, as that would tell him whether he could make the weight. ‘How did you do that?’ said Balding, almost in a whisper. He smiled. ‘Every job has its sacrifices,’ he said. ‘I couldn’t take the underground to work every morning.’ No more could I, I thought.

He smiled again, with a combination of rue and delight. ‘It’s the horses,’ he said. ‘I’d cut my arm off to ride the horses.’

I would write even if I were not paid for it. I do write even though I’m not paid for it. The damned old language of Shakespeare and Milton has me in its crocodile grip. There’s nothing I can do about that. The price I pay is constant uncertainty, a very British embarrassment every time I have to speak to my accountant, and a vague tiredness of the spirit, from time to time. It’s a price worth paying.

You really did not have to tell them everything, says the wise voice. You told them everything, shout the reckless voices, triumphant.

 

Today’s pictures:

No time for the camera at the moment. Here are my two beauties, from a few days ago:

No words left.

I worked really, really hard today, and that work was rewarded. This does not always happen. Sometimes I put in a huge effort and buggery bollocks is the result. But this morning, it all came together. I could see the way. A small green shoot of hope sprouted. It was a lovely feeling.

Since I have wrangled with words for many hours, I have none left now. Sometimes my brain is a finite thing.

Before I sat down at my desk to do the work, I took the red mare out into the wide, open green spaces. It is in just such a space that a thoroughbred is popularly supposed to go crazy. All that flat grass, no fences, nothing to stop her; how could she resist? She resisted. She put on her best dowager duchess hat and gave me a composed trot of such poise and grace that I could hardly believe it. It was as if she were dancing to some internal music. She needed no reminding, no instruction, no correction. She picked her own graceful gait and kept to it. With each step, she grew in confidence and conviction. I could feel something like pride flowing out of her. Perhaps it was even pleasure. I try not to ascribe human emotions to horses, but she seemed delighted with herself.

You can see some of the majesty in this picture. She does have majesty, and it grows in her, day by day:

A good day.

Sometimes, I fall into a defensive crouch. I put so much pressure on myself that I go into a kind of awful tunnel vision. It is dark in the tunnel, and the critical voices in my head like it in there and use it as a kind of echo chamber. Magical thinking, which I try to resist, lifts its head and senses its opportunity, and tells me that I shall never come to any good.

As I wrangle and struggle with my book, I see only the things which are not there. It will never be good enough, I am not good enough to make it good enough, the agent will know it is not good enough and will have to tell me so.

Then a shift in perspective comes, and I go back to the beginning, with clear eyes. Today, my eyes were clear. I started the editing all over again. I could see very well what needed to be done, and I did it. And I found, to my astonishment, that some of it was really not bad.

Just because I think it is good does not mean other people will too. Writing is a subjective business. One is always dependent on someone else’s opinion. There is no certainty, and this is part of what wears away at the troubled, questing, hopeful mind.

But today I know that all the work I have done is worth it, even if I do get rejected. That counts for something.

In the morning, before work, before thought, I ring The Beloved Cousin. At the very sound of her voice, I know that every single thing will be all right. She has that miraculous effect.

Friendship, I think, as I ride out later into the mild Scottish day, the air gentle against my face, never gets the press it deserves. It’s always romantic love which has the classic novels written about it, the songs, the poems, the plays, the films, the sonnets. But friend love, for me, is the one that saves your life, lifts your heart, restores your sanity, confirms your sense of self.

The Beloved Cousin understands every single word I say, laughs at my jokes, unpicks my troubles as if they were her own, makes me feel like a better human, remembers all the things I have forgotten, does not mind whether I am up, down or round the houses, expects me to be nothing but my own flawed, flaky self. She just gets it. (In this case, It is everything.)

As if determined to continue the love and loveliness, the red mare was at her absolute, shining, glittering crest and peak. She rode like a dream, was funny and dear, and showed off her dressage diva trot all the way down the lime avenue, with no reins and no stirrups. She seems to find it mildly amusing that I kick my feet out of the irons and wave my arms in the air, and boxes along in her best self-carriage whilst I laugh with delight.

And then there was the good work and I backed a ten-to-one winner at Goodwood as the ravishing Malabar, the only filly in the race, put the boys in their place, kicking away and streaking down the straight, her beautiful bay coat gleaming in the sun.

There are bad days, and good days. I like to record the good days, because when the shadows come, I find it soothing to look back and remember what the light is like. Today was all light.

In which I want to be horrid and decide to be nice.

I was going to do something perfectly horrid today.

Yesterday, two things occurred to upset me. Both were very small, hardly visible to the naked eye, but they left me wounded and unsettled. As I swung into my usual tired old technique of calling in the Perspective Police and talking myself down off the ceiling, I hit on the solution. I would use words. Apart from love and trees, words are my solution to everything. Write it down, write it down, sing the voices in my head.

So, I wrote it down.

It was quite late at night, and I wrote it as a blog. I did not name the people involved, and I believed I was bending over backwards to be fair and not to impute beastly motives where there were none.

In fact, I had to admit to myself this morning, I was indulging in a perfect festival of passive aggression. I was still so sore as I wrote that I was doing that ghastly thing of seeming reasonable, when, in fact, underneath, the six-year-old in me was wailing: BLOODY PEOPLE, WHY CAN’T YOU JUST SAY SOMETHING NICE?????

Even as I faced the twisted motives behind my apparently rational post, I raced around like a rat in a trap, trying to work out a way of not being passive aggressive, but still telling you the story of what had happened.

But here is the thing. Even if I worked out a way of taking the heat out of it, keeping it as vague and anonymous as possible, putting on my rational, disinterested hat, I was still flailing about, trying to punish because I had been hurt. I was not disinterested; I had skin in the game, and that skin was singed.

Fuck it, I thought. Be a grown-up. Be a decent human being. Adult humans get hurt all the time, take it on the chin, refuse to turn the thing into a three act opera, and, most of all, do not feel the need to tell everyone on the internet.

Adult humans also make choices.

I am not nearly as nice as I think I am. I really would like to be nice, an adjective I do not disdain but crave. I am capable of niceness, but I can think some unbelievably crushing and uncharitable and mean thoughts. I like to think that I don’t judge or harbour prejudices or indulge in ad hominem attacks, but when my skin is thin I can bitch someone up to beat the band.

However, in a slightly hello clouds, hello sky way, I do aspire to niceness. I really admire nice people, because I think it’s a fairly hard state to maintain in a very shouty world.

Today, I had a proper choice. I could be a passive aggressive horror show, OR I could be nice. I chose niceness.

I spent four hours doing things which were not for me. Several people have asked me for photographs of the last few days at HorseBack. My usual response is: yes, yes, of course, just let me find a moment, give me a few days, it’s all a bit chaotic, I’ll get back to you. Then, I don’t get back, because I’m sitting at my desk panicking about the two absurd books I am writing and being entirely unable to make the time to do anything else.

Today, I made the time. The whole process takes ages, because of course I can’t just whack a few snaps into a Dropbox album and send them off, but have to edit and re-edit, choose all the best ones, then change my mind and choose other ones, make manic decisions about whether I should saturate the colour or put them into black and white, crop and re-crop and I don’t know what. I’m not a good enough photographer to take a picture and let it be; it must be doctored. These were lovely people, and I wanted them to have photographs worth of them.

I started at three-thirty this afternoon, and I’ve only just finished. There are ninety-nine pictures which are now fit for public consumption.

I’m still a bit bruised from yesterday, and I’m taut as a violin string from a day of non-stop work. I did not even ride the mare this morning, but merely gave her love and food and went back to my book. (The agent is not yet quite happy, so I am still polishing and rubbing and shining, like an out-of-control fifties housewife who has lost her valium.) But I’m really, really pleased that I decided on a constructive act instead of a destructive one.

God, I wanted to be horrid. I was so cross I wanted to tear the buggery house down. But I built a little shack instead. I did the photograph albums, and they are downloading now and will soon wing their way off to their recipients. I don’t always manage it, but however wet and weedy it sounds, today, I chose niceness.

 

Today’s pictures:

Here are some of the photographs I sent out into the ether:

A lot of these pictures were for Robert Gonzales and his lovely wife Patricia. Robert, as the Dear Readers will know, is the great horseman who was visiting us from California. I learnt more about horses in three weeks of watching him than I could put into words, and I know a lot about words.

He is not only a fine horseman, he is a great gentleman too. He would not write something beastly mean on the internet, under the guise of being rational and reasonable. I should think of his example.

In the last picture, he is waiting for the horse to soften. He can do this for half an hour at a time, as long as it takes. ‘Wait for the softness,’ he says. ‘Look for the softness. Let them find the softness.’

I can learn from that too. It’s not just for the horses. It’s for the poor old humans too. Next time I get bent out of shape, I’m going to wait. For the softness.

 

Oh, and PS. To the Dear Reader who said nobody needed my permission, you are quite right. I phrased it poorly, and have been filled with angst that I sounded like some ghastly, wafty, de haut en bas creature. What I should have said is that I often need permission. When a best beloved admits to faults or doubts or muddles or confusions, I find this enables me to confess my own inadequacies without terror. I need a permit; I need my passport stamped.

I’m working on this. One day I shall cross the border without passport control. I’ll hang out more damn flags on that glorious day.

In the meantime, I’m sorry for the confusion. It’s the kind of mistake that fills me with rue.

A day.

Sunshine. Cook breakfast eggs for The Mother. Groundwork. Riding. (I have lost my trot. It is tense and rushed where it should be smooth and collected. It takes me some time to find it, a process which cannot be hurried, so I am late to the rest of the day.) Members of the extended family are visiting; a lot of sweetness. HorseBack: photographs, notes, many discussions. Talk to my friend The Marine about the time he rounded up cattle in Colorado. Two hundred foot vertical drops up on the narrow mountain trails. I blanch. I am ashamed to say I make girlish shrieks.

Back to the desk, still at least an hour behind. Important emails and telephone calls. A wonderful plan is hatched. Errands.

Work, work, work, work, work.

Forget lunch. Abruptly remember that I have forgotten lunch. Feel suddenly very weak. Attempt to cram all the food groups into one very late tea-time snack. Still quite weak. Where is the iron tonic?

Back two winners at Huntingdon. The second, in particular, is a delightful gentleman of a horse, flowing neatly and enthusiastically over his fences with his ears pricked, occasionally throwing in a mighty, soaring leap just to show he is no mere workman. He is a Venetia Williams horse, and a lot of them are like this: honest and charming as the day is long.

Take huge amounts of stuff to the charity shop. The saintly glow of having a clear-out is slightly marred because the nice paper bags in which the things were neatly packed have been ripped apart by Stanley the Dog when he was in the back of the car this morning. I suppose he was looking for RATS.

Attempt to upload a HorseBack video to YouTube. Fail. ‘There was an error uploading your video.’ Have burst of First World rage. Swear at the computer, fruitlessly. Buggery YouTube will not have me.

Watch the sun change colour over the trees. Give Stanley the Dog a treat to tell him he is forgiven. (He had not even noticed he was in disgrace, and the ladies in the charity shop were very understanding. ‘I have spaniels,’ said one, darkly.)

Think about work done and work still undone. Find myself reading an article about To Do lists, and how they are never finished.

Feel rueful.

Wonder if I should check my emails again.

Think I’ll go and give the duchess her tea instead. There I can breathe and stand still and feel the air on my face and the love in my heart and see the snowdrops and think of spring.

 

Today’s pictures:

Happy girls in the lovely morning light:

Step-sister, step-niece, red mare and me, taken by the Lovely Stepfather. I appear to be having a very, very bad hair day. I try not to mind:

A chicken, for the Dear Reader who likes chickens:

The Marine, with Brook the ex-sprinter who now works with veterans at HorseBack UK. Who says that ex-racehorses have no useful purpose once their race is run? Quite a lot of idiotish people, is the answer. This fella does a very, very useful job indeed:

I know I bang on a little about the prejudices faced by ex-racehorses in particular and thoroughbreds in general. But really, you should read what the ignorant say on the internet. Don’t even get me started on the superstitions about chestnut mares….

Lost thoughts.

Quite often, I wake up in the morning and write the blog in my head as I brush my teeth. I cannot tell you the dazzling nature of my thoughts at this point in the day. I grow excited, thinking: ah, at last, I have something really quite wonderful for the Dear Readers. There will be existential musings, and the human condition, and darting arrows flying out of the left field. How happy everyone will be.

Then, life happens. I cook breakfast for The Mother and the lovely Stepfather. I walk the dog. I feed the horse, work the horse, ride the horse, settle the horse back in her field with everything she needs for the day. Quite often, when I think I am finished, I go back and have a quick chat with the horse, usually about how much I love her.

Then I canter off to HorseBack and take some pictures and talk about all the things I need to know about. Today, there were two enchanting visitors there, so I talked to them. I come back, edit the pictures, try to keep the archive in some kind of order, decide what posts I need to write, write them, select appropriate photographs to go with them, and put them up on the Facebook. As I am doing this, I try hard to avoid getting distracted by the latest story about Stephen Fry, or a collage of baby pandas.

I have a quick look at the racing, in case I want to have a bet in the 2.45 at Ayr. Luckily, today I did not want to.

Then I write a book. Because, you know.

By this stage, I remember that I have forgotten to have lunch. On tragic days, I make a quick ham sandwich. Today, I am being a proper person and throwing together a little chicken stew with leeks and celery and potatoes. (It was half done last night, and now I’m just finishing it off. I do feel really quite domestic godessy as the homespun smell wafts through the house.)

Then, I decide that all the stupid admin which is waiting reproachfully for me will have to wait another day.

Then I gallop down to the field to give the mare her tea, put out the hay, make a rugging decision, tell her once more about the deep, deep love, give her a good rub, check her legs, and generally make sure she is happy for the night to come. My friend who shares the paddock will be there, and we may discuss weather, water troughs, herd behaviour, or life. Mostly life, these days.

At this stage, I wish I had taken more iron tonic. The brain is beginning to fizzle and crack as if its circuits are starting to short. I review my work, make a resolution to do more cutting tomorrow, sometimes make a plan for another chapter, which is very naughty since at this stage I am supposed to be slaying darlings, not writing more of the damn things.

The morning seems a long, long way away. The dazzling thoughts are quite, quite lost. Did they really dazzle? Were they even thoughts? I decide, dolefully, that I’ll just give you some nice pictures instead, and hope you will not notice the thought deficit. I wonder if I should tell you about the moment, under the glancing Scottish sunshine, when the red mare not only came to a perfect halt off my seat, with no rein at all, but then, from a very slight movement of my legs, took four delicate steps backwards. Backing without reins. Should I tell you that I burst into shouting laughter of joy, and whooped into the bright air, and then fell to laughing again, and flung myself on her neck and told her that she was the best and dearest and most clever and brilliant?

No, I think, don’t tell them that. Poor Dear Readers, they have enough to put up with. They have to hear about that horse every absurd day of the week. This is supposed to be for them, after all, a tiny divertissement in a hard week. Give them a nice photograph of a hill or something, because not everyone has a hill.

Then I read myself a small lecture on the perils of perfectionism, press publish, and give Stanley the Dog a biscuit. Because it is the least he deserves.

 

Today’s pictures:

I went for a quick drive after HorseBack, a little loop to the north, and this is what I saw:

This one is called Queen’s View, because Queen Victoria loved it:

That is why I get a little hysterical about Scotland, and the blue hills, and the beauty. That is six miles from my front door. That is why I can never, ever get over my good fortune.

Posy Posington from yesterday morning:

And the amazing flying ear of Captain Handsome: